100 Words of Astounding Beauty s03e06 - Hammering www.100wordsofastoundingbeauty.com
S03E06 - Hammering
Writer | Pronouns | You are editing | Your editor is | Title | |
1 | Amelia Armande | they/them | Marina Crisp | Tom McNally | 3.15 at the High Street HSBC |
2 | Joshua Crisp | he/him | Ella Brasington | Marina Crisp | Murder on the Dancefloor |
3 | Ella Brasington | She/her | Tom McNally | Joshua Crisp | The Consultation |
4 | Marina Crisp | she/her | Joshua Crisp | Amelia Armande | Re: Employee Fun Room Concerns |
5 | Tom McNally | he/him | Amelia Armande | Ella Brasington | Interrogation |
Theme tune is Music For Jellyfish by Bell Lungs.
Story music is by John Bartmann, released under a CC-BY license, featuring:
Track art generated by Bing.
Welcome to One Hundred Words of Astounding Beauty, a flash-fiction podcast where a handful of writers each make a story with a limited wordcount in a limited time.
This is the sixth episode of our third season. We’ve returned to the lit firework and just want a closer look.
I am your host, Tom McNally and joining me tonight, introducing themselves by a string of words they have hastily assembled just now, are the writers:
WARM UP: ‘weight’
Amelia Armande
The pressure sensors detected any footstep into the compound, measuring bodies down to the gram, assessing threat level. Easy enough to hack, then infiltrate. I was simply lying in weight. |
I stepped on the scales and they cried |
The pressure is crushing, and excludes all light and sound. I nestle in deeper and take comfort in the quiet. |
To sate their fate they ate, tasting the waste on each plate, in haste, yet too late, |
Oh to be a thin film of metallic hydrogen on the surface of Jupiter. I sit so small, so mysterious, so unreachable. Wonder about me but I would tell them nothing. |
Listeners, hear me from the mud and dirt of your graves! It is time for us to begin making our short short stories! I will play an audio prompt to the writers, it will be a sound you need not fully recognise, and you will then have five minutes to knead that dough so that the magic of fermentation can commence.
Listeners - why not write along with us, as a joke? We will self-immolate for the cause of your choosing if we receive a 100 word story from you. Send them in as text or a sound file and let us know if you’d like us to read them out or play them in an upcoming episode.
Writers, I’m about to play the prompt for your 100 words.
https://drive.google.com/file/d/1tVr9fdxhWJl60LE97QAgI3LG8ypCil3g/view?usp=drive_link
Writers, go out into the woods and find 100 words that take your fancy. Listeners, if you’re writing along with us at home, pause here and time yourself for five minutes because we’re going to skip ahead.
While Amelia, Josh, Marina and Ella are pondering their lines, I bring you a listener submission. This is 'Pleistocene Prank King' by Enrico Webb.
At last light of Gathering, Grandma warns:
“Earlier, during foal-birth, the wolves are surrounding camp and the night is moonless.”
I see my cousins share glances.
“They are standing tall, waving phalluses and playing drums louder than falling stone! They bring terror!”
The cousins cough, but really they are laughing.
“This is not a merry story but a warning story!” Grandma is bellowing, but the laughter is too much.
We do not go to Gathering or see the cousins ever again. But whenever the moon is gone, my daughters are vanishing. The wolves are here and now beneath the drums I hear obnoxious giggling.
--
It must have been so easy to be hilarious a million years ago. If there is a 21st century Carrington event and we lose our computers, we can take solace that jokes will be much easier to crack.
Until then, let's return to our writers...
Amelia Armande first draft | ||||
At the Bank | ||||
Screaming schoolchildren pool out of the gates and into the street. Some watch with wide eyes or laugh behind their hands, but most studiously ignore the translucent woman with pits for eyes and hair like a slab of slate, knocking furiously at the door to the bank. They say that back in the 1800s the building had belonged to a cruel viscount. Vague stories about betrothed women going missing, and a mother or sister who never gave up the chase. Podcasters had examined the local myths and largely debunked them, so the ghost was mostly seen as embarrassing herself now. The bank could remove the door handle, but they haven't done yet. An unnecessary expense. | ||||
When you are finished: | ||||
out | into | with | but | hands |
cruel | going | them | and | or |
Amelia Armande, your editor is: Tom McNally |
Help asked for: Title is a nonsense 115 words Like the scenario Lose 15 words - not the beginning? Screaming schoolchildren pool out of the gates and into the street. Some watch with wide eyes or laugh behind their hands, but most studiously ignore the translucent woman with pits for eyes and hair like a slab of slate, knocking furiously at the door to the bank. They say that back in the 1800s the building had belonged to a cruel viscount. Vague stories about betrothed women going missing, and a mother or sister who never gave up the chase. Podcasters had examined the local myths and largely debunked them, so the ghost was mostly seen as embarrassing herself now. The bank could remove the door handle, but they haven't done yet. An unnecessary expense. |
Tom McNally’s edits Like clockwork, the schoolchildren drift across the street. They form a muddy pool on the pavement outside and watch or laugh or simply ignore the translucent woman with pits for eyes and hair like a slab of slate, knocking furiously at the door to the bank. Their headmaster often tells them that, back in the 1800s the building had belonged to a cruel viscount. Older children pass down more lurid stories, but outside investigators had debunked them all, so the ghost was mostly seen as embarrassing herself now. The bank wanted to remove the door handle but sentimentality among the local council advised against it. |
Word count: 105 |
Amelia Armande second draft | ||||
3:15 at the High Street HSBC | ||||
Like clockwork, schoolchildren drift out of the gates and form a muddy pool in the street. Younger ones stare, some laugh, but most simply ignore the translucent woman with pitted eyes and hair like a slab of slate, knocking furiously at the door to the bank. The story goes that, back in the 1800s, the building had belonged to a cruel viscount. Investigative journalists had debunked the legends of murdered brides in 1993, so the ghost was mostly seen as embarrassing herself now. The bank wanted to remove the door handle but sentimentality among the local council advised against it. | ||||
Word count: 100 |
Joshua Crisp first draft | ||||
Working title | ||||
The teens, buzzing on tuck-shop fizzy-laces, lilt and hormones drove the adults into the middle of the hall. The pounding beat from age-appropriate music muffled their teachers’ screams for mercy. Blood glowed in purples and gloopy neons as the music reached its fervor and the kids threw their arms in the air like they just didn’t care. (followed by the teacher’s arms, who had cared, but now couldn’t! Or something) This always happened. Separating boys and girls for most of their life in education makes this sort of thing inevitable | ||||
Word count: 77 | ||||
When you are finished: | ||||
The | on | and | of | from |
its | like | always | in | gloopy |
Joshua Crisp your editor is: Marina Crisp |
Helped asked for: Don’t like it, too obvious, Suggest another idea. Don’t like the direction it has gone in - Route one! Propose ten alternative stories. Keep the gloop. |
Marina Crisp’s edits: Alternate idea – the fall of the tower of Babel /Entering Hell/ Rollercoaster gone wrong
|
Word count: |
Joshua Crisp SECOND DRAFT |
Murder on the Dancefloor |
A furious sweat of pent-up rage and Lynx Africa misted the floor. The youths, buzzing on tuck-shop fizzy-laces, lilt and repressed hormones drove the adults into the middle of the hall. Hammering away with collages, and paper-mache class-projects. The pounding beat from age-appropriate music muffled the grown-ups’ screams for mercy. Blood glowed in purples and gloopy neons as the disco reached its fervor. Then the macarena came on. When the last of the librarians had been dragged, crying to the corpse-pile and the P.E. teachers had been strung up with netball-bunting, the parents arrived to pick up their darlings. |
Word count: 100 |
Ella Brasington first draft | ||||
The Consultation | ||||
The brass knockers hammering against the great hall’s doors reverberates inside the mind of the Speaker. They weren’t ready. A flurry of panicked pedallers wash between the columns; fabrics shimmer and fly. The knocking never stops. Feet dance in silken slippers, the marble simultaneously speeding and slowing their progress. The drums begin. Deep breath, pillows plumped, throws draped, grapes at the ready. The oaken doors fly open and the palanquin is lowered. The consultation is about to begin. | ||||
Word count: 78 | ||||
When you are finished: | ||||
pedallers | slippers | reverberates | plumped | draped |
palanquin | Speaker | flurry | shimmer | grapes |
Ella Brasington, your editor is: Joshua Crisp |
Help asked for: |
Joshua Crisp’s edits: Okay, tell me more about the speaker. He’s the only character we see directly. I love the ambiguity, but want to know more about the STAKES. What’s going to go wrong if they’re not ready? First sentence is too convoluted, maybe change to something like… The hammering of brass reverberates inside the mind of the Speaker. The knocker against the doors to the great hall. Again. And again. They weren’t ready… All your pedallers, fabrics, dancing, etc is great - change nothing. Maybe it could be expanded. “The knocking never stops” is a phrase you can re-use. The oaken doors fly open up to the ending is good, but it feels like we could use a calm before the storm? The doors open too suddenly - we’re all prepared so give us a pause beforehand, maybe add some ceremony to it. |
Ella Brasington SECOND DRAFT |
The Consultation |
The hammering of brass reverberates inside the mind of the Speaker. The knocker against the doors to the great hall. They weren’t ready… A flurry of panicked pedallers wash between the columns; fabrics shimmer and fly. The knocking never stops. Feet dance in silken slippers, the marble simultaneously speeding and slowing their progress. The knocking never stops. Pillows plumped, throws draped, grapes gingerly placed. The Speaker indulges in a brief glance into the abyss. They signal, exhale and set the pool of oil alight. The oaken doors fly open and the palanquin is lowered; The consultation is about to begin. |
Word count: |
Marina Crisp first draft | ||||
Working title | ||||
Employee Mindfulness | ||||
Word count: The new workplace “take-a-break room” was really something, but bathsheba wasn’t certain that “something” wasn’t certain death. The Hammer Swing looked fun, but as it smashed by people back and forth into the the Human Resources wall she couldn’t help thinking that maybe it should have been made of foam, not steel. Similarly, the “Hop or Drop” aspect of moving floorboards might be fun - but as the ground suddenly chasmed she did wonder where those screaming employees plunged to. Bathsheba couldn’t shake the feeling that maybe they wanted to discourage taking meditation breaks at all. Tesco’s had really changed. | ||||
When you are finished: | ||||
Steel | Plunged | Discourage | maybe | certain |
Drop | Breaks | smashed | floorboards | Swing |
Marina Crisp, your editor is: Amelia Armande |
Bath name alternatives - Janet? Charlie? Dana? Monique? Is Bath the creator of this room, a staff member who’s being pressured to use it, or a boss who’s overseeing? I feel like any of these specific roles could lead to a more fun thread through the scene. I like the idea rather than a meditation room, that this is a FUN room designed by Corporate to be FUN and EXCITING and UPBEAT and ENCOURAGING PLAYFUL CREATIVITY and staff use is sort of mandatory. Could this be a letter? An email? At the moment the language feels very couched, but I think putting that into an email format might make that quite funny. So we’ve got Hammer Swing, Hop and Drop, and option 3: Meditation Pool that you drown in, Ping Pong with lethal pneumatically fired balls, Darts Board similar, Giant Slide that leads out of the side of the building to…somewhere. Ball Pool with no bottom. |
Marina Crisp SECOND DRAFT |
RE: Employee Fun Room Concerns |
Dear Dana, As to your point that the new workplace “take-a-break-room” was really something, I agree, but that something seems to be probable retirement from life. Although 20ft Hammer Swing et al looks fun, it has as of today’s opening, smashed Human Resources employee Derek through said HR department’s glass wall. Perhaps you could reconsider recrafting it from foam, not steel? Similarly, although I see the heart-elevating idea behind the“Hop or Drop” aspect of unexpected floorboard slides might be fun - but sudden ground chasms have swallowed four employees with no sign of where they resurface? Love the enthusiasm! Keep the ideas rolling! Thank you, Chris |
Word count: 106 |
Tom McNally FIRST DRAFT |
In the back of the van |
She raised her voice to be heard over the wailing. “Look at my hand! It’s swelling up!” “Your hand will be fine. When you ran we thought you was making trouble.” “I wasn’t! Ouh fuck my fingers!” “Why did you run?” “Help me! Someone!” “We are helping you.” “Someone please!” “If you’re not going to cooperate I’ll send for my colleague and then you’ll be wasting two officer’s time.” |
Word count: 78 |
10 sample words from the draft (can be in any order and of any level of significance) | ||||
fingers | wasting | perspective | wailing | help |
run | why | cooperate | swelling | over |
Tom McNally, your editor is: Ella Brasington |
Help asked for: -dialogue but no ending -underweight - doesn’t have to be a dialogue Needs a sting in the tail. Names? Description? Register may not be the most appropriate. Needs title. |
Is the officer a bee? If not, why not - maybe they should be. I’m not sure what the narrative is exactly - but I think it could be a perceived hive heist - a heivst gone wrong? Maybe the woman is a bear? I think the exclusive use of dialogue is a good choice, you can add another few lines of dialogue in here: “Your hand will be fine. When you ran we thought you was making trouble.” “I wasn’t! Ouh fuck my fingers!” “Why did you run?” And use that space to add some description. If they are bees then the sting in the tail can bee the hammering thrum of the bee cavalry coming to provide back up. A literal sting in the tail haha!
|
Tom McNally SECOND DRAFT |
Interrogation |
The patrol officer raised her voice to be heard over the wailing. “Oh shit my hand’s swelling up!” “Your hand will be fine. When you ran we thought you was making trouble.” “I wasn’t! Ouh fuck!” “Why did you run?” “Help me! Someone! Please!” “If you’re not going to cooperate I’ll send for my colleagues and then you’ll be wasting a lot more of our resources.” The woman veered into M&S and locked herself in the toilet. The swarm of bees lurked in wait for her by the seasonal jumpers. |
Word count: 100 |
Writers stop writing. A first draft lies before you, bloody. Your fingerprints are all over it. How can you turn this murder into an involuntary manslaughter?
Here to help you in the court of words is your editor. You’ll all be editing each other’s drafts - giving each other notes, updates and mercy to order.
Before we begin the great editing, let us first share ten sample words from our first drafts, then ask our editors how they might help with the draft you are about to give them.
Writers, download the Editor update to your brainstems via fatwire. Read the draft of your assigned writer. Make your edits and then slide them back over the table.
Listeners at home, you should edit your first draft too. If you don’t have a fatwire for downloads into your brainstem, use a thin wire instead.
Five minutes to read, then five minutes to edit!
Your time starts now.
Editing is over! You fools! Now hand your edits back to the writer that craves them and return to your own first draft and read the notes left by the editor who has misunderstood it. Let them take you to the final draft.
Your time to rewrite begins now.
Five minutes!
And there we have it. Five more shards of the mind of God are rejoined together into a crystal of language. Joining me with their 100 words tonight has been:
Amelia Armande with 3:15 at the High Street HSBC
Editor: Tom McNally
Music: ‘Smooth Criminal’ from Hide & Sneak.
Joshua Crisp with Murder on the Dancefloor
Editor: Marina Crisp
Music: ‘Polygon Skies’ from Retro Boogie.
Ella Brasington with The Consultation
Editor: Joshua Crisp
Music: ‘Bad News’ from Audio Drama Soundtracks: Album Four.
Marina Crisp with RE: Employee Fun Room Concerns
Editor: Amelia Armande
Music: ‘Happy Clappy’ from Public Domain Soundtrack Music: Album One.
Tom McNally with Interrogation
Editor: Ella Brasington
Music: ‘Lagos Hustle’ from Making Soundtracks in Easy: Album Three.
Thank you for being with us, now let’s all sit in the comfy chair and relax with a big steaming mug of livestreams of extrajudicial executions.
That was 100 Words of Astounding Beauty, which is a production of Red Button Audio and was edited by myself, Tom McNally. The theme tune is 'Music for Jellyfish' and was composed by Bell Lungs. The story music is by John Bartmann.
Give us feedback on 100words@redbuttonaudio.org or tweeting us on @RedBAudio. Please also send us any 100 Words of Astounding Beauty you have made while listening along, and let us know if you’d like them to be included in a future episode. All submissions will receive a 100 Words of Astounding Beauty Zine, an object you can hold and eat.
The listener submissions for this episode were from so-and-so and so-and-so.
Now to play you out, here is VOLUNTEER with a piece that built from 10% of everyone’s first drafts and 50% of something new
And by way of saying goodbye, here is a Frankenstein story I have made out of those 10 words shared from the first draft of each story.
The Villain Falls Prey To Their Own Cowardice
“Maybe, like, cooperate?” reverberates Captain Swing from beneath smashed floorboards.
Why the Speaker of Steel chose that moment to drop Fingers over the cruel breaks and run, wailing, into the flurry, it’s not certain. But Swing’s perspective was always that Steel’s hands were more plumped for slippers than help.
Fingers plunged in beneath the shimmer that stank of grapes and forever would ride the wasting palanquin of remorse, with tragedy draped on his shoulders. Swing pulled himself out of the swelling timbers and laid hands on Discourage’s wheel. They were taking the gloopy pedallers with them, or not going at all.