100 Words of Astounding Beauty s02e05 - Test Tubes @RedBAudio
S02E05 - Test Tubes
Featuring
Guest | Pronouns | Editing | Title | |
1 | Amelia Armande | they/them | Jason Buck | Tourist |
2 | Joshua Crisp | he/him | Marina Crisp | Whalescream |
3 | Jason Buck | he/him | Tom McNally | The London Underground |
4 | Marina Crisp | she/her | Amelia Armande | Bottleman |
5 | Tom McNally | he/him | Joshua Crisp | Penny |
Welcome to One Hundred Words of Astounding Beauty, a flash-fiction podcast where a handful of writers each make a story with a limited wordcount in a limited time.
This is the fifth episode of the second season. We are holed up in a secret location in West Sussex, recording through the hottest day in recorded history. Which of our guests will make it through the day with their hearts intact?
I am your host, Tom McNally, just some guy, and joining me tonight, introducing themselves by a short freeform warm-up prompted by a single word, are our writers:
Amelia Armande - theatre goblin,
Joshua Crisp - bard and composer
Jason Buck - performer, storyteller, maker of unusual sounds
Marina Crisp - whose drag persona is Amber Lyn
The beach stretched hot, blank, endless. The mute bathers stared. King Seagull sat upon his ill-gotten mountain of plunder, innocently left upon the sand. Thus began the infamous sandal scandal. |
We’ve had pig fuckers, kiddy fiddlers, tax dodgers, and climate deniers. Legislators, deregulators and bargain-barrel despots. Crooks and cowards and tinpot sabre rattling, but our kings are overthrown by parties. Rule Britannia |
Only when I entered the place where drinks were drunk and drunks were drinking, I noticed my doppelganger, enjoying the life I heard about from the acid lips of others. |
An utter outrage! read the headline, you absolutely won’t believe what they’ve gone and done now! Just wait until you read this juicy tale! |
Warm-up - 30 words or less, no title, prompt is: 'scandal' |
Somebody must be vaporised today, who must it be? Who will be food for the rags, grist for the mill, lubricate the tracks conveying the tanks of workplace chat? You? |
Listeners, now that we’ve slid our way through your ribs into your hearts, we are going to produce 100 Words of Astounding Beauty for you. Writers, I will play an audio prompt, a sound you need not fully recognise, and you will then have five minutes to write a first draft of a drabble or a story or a poem or a riddle, whatever it is that your body can manufacture on short notice.
Listeners - you can write along with us. We will turn upside down and change colour when we receive any of your own 100 words of Astounding Beauty. Send them in as text or a sound file and let us know if you’d like us to read them out or play them in the next episode.
Writers, I’m about to play the prompt for your 100 words.
https://drive.google.com/file/d/1aqfL2iQ4oq9x2zMccTl_qKS8QNUZx12V/view?usp=sharing
Writers, now that I’ve slopped your trough with strange sounds, you can feast upon them as you write your 100 words. Listeners, if you’re writing along with us at home, pause here and time yourself for five minutes because we’re going to skip ahead.
Amelia Armande first draft |
Working title |
Roads were impractical for travel through the city - the only way to travel was by tube. Laying my body down into the river of air flow, I braced, but it was surprisingly gentle. Then we were off - looping around the monolith skyscrapers, occasionally ducking into the humid canopy below. The hollow ringing of the daily commute echoed among the trees like pan pipes from another dimension. A memory blinked through as I burst through the treetops - all the dreams I'd had of flying as a kid. |
Word count: 86 |
Amelia, your editor is: Marina Crisp |
86 words Roads were impractical for travel through the / THIS - perhaps they travel often? or city - - the only way to travel was by tube. Does the narrator open a door? Stand under a chute? |
Word count: ?? |
Amelia Armande second draft |
Tourist |
I had to leave my car at the city boundary. The jungle had claimed the old infrastructure. The only way to travel here was by tube. Standing under the chute, I braced, but the air flow only felt warm and gentle. Then I was off - looping up between monolith skyscrapers, occasionally ducking into the humid canopy below. The hollow ringing of the city commute echoed among the trees like pan pipes from another dimension. A memory blinked through as I burst through the treetops - suddenly I was five years old again, dreaming of flying, holding my cape out behind me. |
Word count: 100 |
Joshua Crisp FIRST DRAFT |
Whalescream |
Vast are the oceans, and rich their music. The swelling of the tides, the cymbals of the cliffs, the deep thrum of distant, destined horizons. A velvet tapestry to carry whalesong. The waters and currents the bars and cleffs, the mournful minims carrying haunting remembrances of mothers and grandmothers past, great legacies of family and the depths. Whales listen. Whales learn. And whales sing. And as captain markus was discovering, as he slowly twisted the horrible metal through bleeding blubber, whales screamed. And would be made to confess. |
Word count: 88 |
Joshua Crisp your editor is: Tom McNally |
Whales listen. Whales learn. And whales sing. The ocean is a vast velvet tapestry to carry the music. The swelling of the tides, the cymbals of the cliffs, the deep thrum of distant, destined horizons. The waters and currents are the bars and cleffs, the mournful minims carrying haunting remembrances of mothers and grandmothers past, great legacies of family and the depths. The world harmonised to the singing of the whales. And Captain Markus slowly twisted the metal through bleeding blubber, and hoisted up the doomed quarry. His crew harmonised to the screaming of the whales. Now the whales scream. They wail, they beg. |
Word count: 110! |
Joshua Crisp SECOND DRAFT |
Whalescream |
Whales sing. The oceans a vast velvet tapestry to cushion-carry their music. The swelling of the tides, the cymbals of the cliffs, the deep thrum of distant, destined horizons. Whales sing. Waters and currents are bars and cleffs, mournful minims carrying haunting remembrances of mothers and grandmothers past, great legacies of family and the depths. Whales sing. Whales sing and sing. And captain markus was their conductor. He made them sing.. As he slowly twisted the metal through bleeding blubber, and hoisted up his doomed quarry, the whales sang. They screamed. They begged. |
Word count: 100 |
Jason Buck FIRST DRAFT |
The London Underground |
It was people who chose steam as a way to move objects from place to place: Packages, memos, letters, all tied up and parceled into little cylinders that whizzed along pipes. When the rats found out, London became accessible, in the most delightful way. Each rodent, once they had had their ticket checked and punched by the ratty conductor, squeezed themselves into the tubes, and by the miracle of pneumatic pressure were propelled across the capital at thrilling speeds. Of course, this gave our furry friends access to the halls of power, and access to influence the lives and liberties of the two-legged vermin who trod the pavements above them. |
Word count: 110 |
Jason Buck, your editor is: Amelia Armande |
110 words I like the intro - I feel like the punchline can be tightened up just a little. ‘Two-legged vermin’ is a great phrase, I just want the lead up to it a bit punchier. I think you can afford to be a little bit more immediate, which could help trim words. It was people who chose steam as a way to move objects from place to place: Packages, memos, letters, all tied up and parceled into little cylinders that whizzed along pipes. When The rats found out. London became suddenly/delightfully accessible, in the most delightful way. Each rodent, once they had had their ticket checked and punched by the ratty conductor, squeezed themselves into the tubes, and (by the miracle of pneumatic pressure) < (could be cut, but I like it) were propelled across the capital at thrilling speeds. (Of course, this gave our furry friends) < (see if you can find something more immediate for this) access to the halls of power, and access able to influence the lives and liberties of the two-legged vermin who trod the pavements above them. |
Word count: ?? |
Jason Buck SECOND DRAFT |
The London Underground |
It was people who chose steam as a way to move objects from place to place: Packages, memos, letters, all tied up and parceled into little cylinders that whizzed along pipes. The rats found out. London was now suddenly,delightfully accessible. Each rodent, tickets checked and punched by the ratty conductor, squeezed themselves into tubes and, by the miracle of pneumatic pressure, were propelled,at thrilling speeds. It also gave our furry friends access to our halls of power, able to influence the lives and liberties of what they saw as the two-legged vermin who trod the pavements above them. |
Word count: 100 |
Marina Crisp FIRST DRAFT |
Milkless Music |
First draft The alarm blared out. Again. Someone had broken into the lorikeet enclosure. Surely it wouldn’t be…not after last time. Belinda turned the key to lock theTasty Fun Frog Fantasyland and hurried over to the lorikeet’s, one hand firmly pressed against her head against the wail. Her suspicions proved correct. He had escaped the artist colony where he had been banished to. The water musician. There he had laid out his wretched milk bottles, like terrible fat pan pipes, filled with various levels of cruel clear liquid. The birds were all over him, transfixed, as he blew his terrible music, ignoring the sirens. Why does he do this? No one knew. Soon Belinda herself was still, hands at her sides, head tilted up to the haunting music of the milk man, |
Word count: 130 |
Marina Crisp, your editor is: Joshua Crisp |
The howl inside the breeze confirmed her creeping suspicions; he had escaped his banishment to the artist colony for wayward ornithologists. And sneaked through Tasty-Fun-Frog-Fantasyland. Again. The water musician was here. He had laid out his wretched milk bottles in the lorikeet enclosure like terrible fat pan pipes, and the birds were all over him, transfixed, as he blew his terrible music, ignoring the wailing sirens. Why does he do this? No one knows. Belinda tried to keep her hands firmly pressed against her head against the wail, but soon Belinda was still. Hands at her sides, head tilted up towards the haunting music of the milk man. I have reordered it to make it make more sense, and cut you down to 107 words, but there’s more to lose. Probably water in water-musician, or hyphenate to cheat. |
Word count: 107 |
Marina Crisp SECOND DRAFT |
Bottleman |
The eerie howl inside the breeze confirmed her creeping suspicions; he had escaped his banishment to the artist colony for wayward ornithologists. Again he’d sneaked through Tasty-Fun-Frog-Fantasyland. The water musician was here. Belinda ran, hands pressed to her ears, to where she knew she would find him, The lorikeets. Belinda tried to muffle it- but too late. soon Belinda’s hand’s fell to her sides, head tilted up towards the haunting music of the bottleman. |
Word count: 102 |
Tom McNally FIRST DRAFT |
Penny |
The ancient magic worked. Your wish has been transferred into me. My alloys are charged and the Universe is watching. I must embark by falling, plummeting into darkness to an unseen end. I rush from your hands and the world turns cold.
That’s not going to cut it. Better luck next wish, chump. |
Word count: 95 |
Tom McNally, your editor is: Jason Buck |
Jason Buck’s edits More texture words Title gives away too much The ancient magic worked. <PARA> Your wish has been transferred into [through / to] me. My alloys are charged and the Universe is watching. I must embark by falling, plummeting into darkness to an unseen end. I rush from your hands and the world turns cold [and dark, and silence].
That’s not going to cut it. Better luck next wish, chump. [Too frivolous - lots of hope at the beginning, now I feel foolish. Maybe more about sadness, with a fervent hope] [Generally - I like the feeling of how the story changes from something that feels sci-fi to something more prosaic, but nevertheless holding magic.] |
Word count: |
Tom McNally SECOND DRAFT |
Penny |
The ancient magic worked.
Well that’s not going to cut it. Better luck next wish, chump. |
Word count: 100 |
And while that change occurs, allow me to read for you a reader submission. This is a seasonal one from Declan Kirkwood, entitled '12 Days of Torture.'
12 Days of Torture
For my parents.
You warned me, yet
Blindly I didn’t listen.
Here’s what happened to me,
In song form;
On the twelfth day of Christmas
My true love gave to me
Twelve angry glances
Eleven dates with strangers
Ten shouting matches
Nine bites and scratches
Eight push and punches
Seven belted thrashings
Six brutal stabbings
Five stolen things
Four broken bones
Three deep cuts
Two blackened eyes
And some arsenic put into my tea.
If you receive my letter,
See that she’s caught.
I write this to you,
From upon my cloud.
It’s nice here.
Sincerely,
Your dearly departed
Son.
The next submission is ‘Inside’ by CatGirl.
Inside
A while back I dedicated a spot in my closet to clothes that have stains and called it -my wear around the house-stack.
Occasionally, I would feed it a new victim, mostly shirts and blouses. I never paid much attention to it, until one day that is all I had. Stained clothes.
“Well, I guess I have to stay inside forever now” I said to myself. It’s ok. I am not upset. I mean, I’ve been out there, I’ve done things, I’ve seen enough. I like my life, I like me. We don’t like the same things and it’s OK.
And there we have it. We hope you’ve enjoyed our stories, and perhaps written one of your own. Joining me with their 100 words tonight has been:
Amelia Armande with Tourist
Joshua Crisp with Whalescream
Jason Buck with The London Underground
Marina Crisp with Bottleman
Tom McNally with Penny
That was 100 Words of Astounding Beauty, which is a production of Red Button Audio and was edited by myself, Tom McNally. The theme tune is 'Music for Jellyfish' and was composed by Bell Lungs, you can find them out on BandCamp. The story music was generated by Computoser.
Give us feedback on 100words@redbuttonaudio.org or tweeting us on @RedBAudio. Please also send us any 100 Words of Astounding Beauty you have made while listening along, and let us know if you’d like them to be included in a future episode.
Here's to the final day of history, for we've all agreed that the period of time from 2023 onwards will be when the brotherhood of man reunites and no further notable events are to take place. Phew!